The Strangest Album Ever Made?!

"Trout Mask Replica"..."Eskimo"...The Shaggs...any such list is now incomplete without a mention of Five Starcle Men's  "Gomba Reject Ward Japan." Coherent biographical info on this band is hard to come by, but apparently Five Starcle Men were two nuts in the '90s making low-fi (presumably) home recordings out in the desert town of Lancaster, CA.  Or maybe they were from Austin, Texas. Or maybe they heard the works of those two town's most famous loonies, Capt Beefheart, and The Butthole Surfers, and said: "That's nuthin; get a load of this," and proceeded to lay down 28 tracks over the course of a few years that in comparison makes Ween sound like Journey.

At first, it may come off as a couple of stoners' self-indulgent mucking about on a Teac four-track, and there may be some truth to that, but keep listening, and one starts to wonder if there may be some genuine insanity at work here (apparently, one of the members killed himself, thus ending this band's "career.")  Every sound is warped beyond recognition, lyrics range from unintelligible jabbering to surreal nonsense, samples and tapes loop themselves into delirium, unnatural rhythms pound away, all adding up to a mind-melting experience. Some "songs" sound like they were made up on the spot, many are less than 30 seconds long, and a surprisingly high amount of the tracks are really quite good. Play this for over 99% of the population (even those who consider themselves "alternative"), and they will probably will scrunch up their face and say, "What are you listening to?!"

Free listening/download here:

Five Starcle Men  "Gomba Reject Ward Japan"

courtesy of 'net-label Lost Frog, who have also blessed us with releases by R. Stevie Moore, The Happy Flowers, Animals Within Animals, Big City Orchestra, and some people who make noise music out of bicycles.

T.V.O.D.

Turn on the t.v., watch a movie, what do you get? Inane sitcoms, "Transformers," cops chasing serial killers for the umpteenth time...but what's this?!  Video being put to good use for a change, producing such feasts for the eyes and ears as

Nintendo audio played by player piano and robotic percussion:

"This system allows for Nintendo gameplay audio to be played through an acoustic player piano and robotically controlled percussive instruments. The piano and percussion play live during actual gameplay."  It's true, watch the game in the upper left to see how it triggers the robot instruments.

I wrote about Gnarboot's nutty album in 2011, but this video from earlier this year isn't so much kooky as it is pretty sick 'n' twisted.  Imagine David Lynch making children's programming. Over an eerie electronic score, the title phrase "Cats In Pajamas" is chanted mantra-like by a childlike vocalist, as people in cat masks mysteriously appear and disappear.  My three-year-old came over to my computer when I was playing this, intrigued. After all, it's kitties, right?  But when the scary knife-wielding clown showed up, she ran from the room.  Thanks a lot for scaring my kid, Gnarboots!

Speaking of sick and twisted...the gold standard of such, The Everyday Film, who released an album we reviewed earlier this year, have now added video to their arsenal of weapons of mass hysteria.  It's for the short version of their song "Goool" and, like a slideshow of early Jandek album covers, features a series of blurred, discombobulated photos in as compelling a video realization of alienation and disconnection as you're ever going to see.

Need a laugh now? Another M4M fave, the absurdist mad scientist and his "singing" robot duo the Satanic Puppeteer Orchestra, have also released their debut video, "Frankenstein's Laundromat," another welcome bit of their trademark electro-poppin' surreal humor. This is a preview of the forthcoming album, "Experiments With Auto-Croon."

Swedish female duo The Haggish Moue have a bunch of videos up on the youtubes, and I watched 'em all.  Not sure if I really need to listen to their wistful brand of electro-psych on it's own, but the largely-instrumental (+ somewhat ethereal vox) music works great as a soundtrack to spacey video art acid trips that you can get lost in. Let's fall into space...

"Bangs Glitter"

FREE LUNCH DINER pt1

("Halloween Stomp" is back on-line)

They say there's no such thing as a free lunch. Yeah, well, "they" say all kinds of crap, don't they? What do you call all of these free/name-your-price audio feasts? Damn tasty, that's what you call 'em. And so I fling open the doors of the M4M diner and its' all-you-can-listen-to buffet:

Hanetration "Timelapse" EP - I quite liked this ambient oddball's previous releases, but at first I wasn't so sure about this one: the opener "Moon" has a nice head-nodding riddim that is at odds with a somewhat annoying amateur violin. But the next track is a minute-and-a-half of niceness, and then we get to this EP's centerpiece: "Opal" starts off with a compellingly off-kilter rhythm made by no known drums, and slowly, subtly increases in complexity and texture. Excellent. The closing track "Sleep" is a 7 minute long dystopian industrial ambient nightmare - very well done, but if you value peaceful sleep I don't know if you'd want to listen to it much.

Buttress O'Kneel's "Applied Metapop" is another action-packed thrill-ride from this mad sample-smasher's series of plunderphonic parties. I marvel at how B'o'K can take the lowest form of Top 40 manure and use it as mulch to grow great, big, loud mutant killer plants. This latest album even makes me listen to that "Gangland Style" song or whatever it's called, and like it.  Bowie gets a sex change, Eno's "Baby's On Fire" might finally be the dance-club smash it always deserved to be, the "Breaking Bad" theme gets mashed, and is that the rantings of Francis E. Dec mixed in with Fela and "Yackety Sax"?

And dig these individual tracks:

The fate of "Flakes The Bunny", the stand-out track on Philip Stranger's new EP "Miscolab," makes me laff only the way an accordion-and-steel-drum bit of retarded nonsense like this can. If Mr. Stranger & Co. could concoct a whole album of this kinda thing, we might have a Bonzo Dog Band for our times. Or at least a They Might Be Giants.

Peopling "Live Session - Dandelion Radio": This EP by a New York noise-meister boasts the super-swell song "Which is Width," which features distorted vox & crunching rhythms topped w/bloopy Space Age electronics. (And "De Pelicula" is a fine instro drone, as well.)

More freebies to come, ya cheap bastards...

BeerBottle Percussion, NewWave Music-Boxes, Avant-Catholic Masses

Last year's assortment of experimental/alt-classical/unclassifiably weird new releases received a succinct two-word comment from reader Outa-Spaceman: "Astonishing stuff!" Like last year's roundup, these are new(ish) commercial releases that are well worth your hard-earned dollars/francs/pounds/heads-of-cattle/etc., with album moods ranging from Carton Sonore's charming toy-pop and the krazy kovers of Hanna Peel and Misfit Toys, to chin-stroking Afro-tronica and new avant-chamber music; from modern-day high holy masses to Neon Lushell's creepy "No Religion" - we're covering a lot of territory. And when was the last time you heard music performed entirely on beer bottles? Prepare to be astonished!

Astonishing Stuff!

1. Paddy Steer - "A. Welson Senior II": reader Phil C. hepped me to this Mancunian cat with this description: "He's a crazy one man moog/ glockenspiel/drumkit band with a penchant for paper maché robot/creature heads. I saw him at a tiny little festival a couple of years ago (he was on after the band I was with) and it was the best and strangest thing I've ever seen. For the whole of his set I felt like I was having an acid flashback." One of the best albums I've heard in recent years.  Was very hard to pick representative tracks, they're all doubleplus good. Watch the vids on his label site!
2. Misfit Toys - "Alone Again Naturally": from the ridiculously entertaining debut album "Does Anybody Really Know What Time It Is," a mad collection of '70s covers performed on banjo, bowed banjo (?!), marimba, oboe and clarinet, among others, radically reinventing Stevie Wonder, Chicago (as you may have guessed by the album title), Tony Orlando and Dawn, Black Sabbath, Talking Heads, the Gilbert O'Sullivan song featured here, and more. Transcends novelty, but still a must for any Maniacs' party.
3. Neon Lushell - "Black Confetti": I really liked these Midwesterners debut "Modern Purveyors of Filth and Degradation" and their new one (to be released Oct 8) is just as good - two-discs bulging with experimental ambient evil, as dark as goth or metal but without those genres' kitschy cliches.
4. Mammane Sani et son Orgue - "Bodo": hypnotic '70s Space-Age organ instrumentals from Niger, Africa; who knew such things existed?
5. Gunnelpumpers - "Bottley Functions": The six musicians of this Chicago-based avant/improv group perform here only on beer bottles. From their new one,"Montana Fix."
6. Gunnelpumpers - "Buffalo Jump": groovy percussion with three double-basses; that's like, what, 6 basses total? (boom-tish!)
7. Hannah Peel - "Electricity" - Peel's splendid 4 song EP "Rebox" performs '80s hits by Soft Cell, New Order, Cocteau Twins, and the song featured here, OMD, on sampled antique music box. May be corny as hell, but I love it.
8. Phil Kline - "John the Revelator - Sanctus": We reviewed this NYC composer's Christmas music for massed boom-boxes previously, and reader James C. recommended the Catholic inspired "John The Revelator;" the eclectic music sometimes doesn't immediately suggest a mass, tho it does get a bit Gregorian at times; quite lovely. 
9. Kurosounds - "Manège d'éléphants": Fantastic hypnogogic ambient soundscapes; looped delayed instruments echo rhythmically as dreamy sound effects drift in and out; owes as much to psychedelic dub as it does to  Minimalism. 
10. Bruce Cropley - "March Into April": This Aussie's excellent album "Modal Podal" is almost all instrumental, exploring a wide variety of styles that aren't necessarily all that weird; which makes it all the more unique - he's not afraid of risking his avant credentials by throwing some perfectly pleasant jazz fusion-type stuff in with the almost Zappa-like quirkiness; makes one realize how even "strange" "experimental" music can be predictably formulaic.
11. Bruce Cropley - "Modal Podal": Copley's is also the man behind the super-swell "Quirky Music" on-line radio station
12. Juan Blanco - "Musica para Danza": Was I surprised to find this album in my PO box - "Nuestra Tiempo" is a retrospective of Cuba's electronic music pioneer, Juan Blanco. Cuban electronica? As in, with those infectious Latin rhythms? Yes, on one almost 14 minute -long track. The rest of the album doesn't offer much mamboing, just tasty analog bloopiness, like this track from 1961, the very first piece of electronic music ever recorded in Cuba, available for the first time.
13. Tino Contreras - "Santo": Perhaps not as historically startling as the Blanco album, but "El Jazz Mexicano de Tino Contreras" is another worthy reexamination of an overlooked Latin American artist from decades past; this one unexpectedly veers from psych Afro-Latinisms to exotic international styles, to such oddities as numerous tracks from his groovy '60s a-Go-Go Catholic mass, like the track featured here that mashes up Latin (in the original sense of the word) chanting with Brubeck-esque cool jazz and sleazy electric organ. Que pasa?!
14. Paddy Steer - "Stun phlogiston"
15. Carton Sonore - "The Mexican Roads": The latest from France's adorable "naive music" toy-pop maestro.

Le Enfant Terrible: Music Made from Pots, Pans, and Toys

Manchester band Le Enfant Terrible sent me a link to their new album, describing it thusly: "It's effectively 'World Music' but not quite. It's music made from pots and pans, and toy instruments bought off street venders around the world." I thought: no way. But the opening moments of the really good tune "jucomeba comebi chi" convinced me otherwise.  Still, that description may not be entirely accurate, as there do seem to be some "proper" instruments on these somewhat exotic, mysterious, percussive instrumentals, but maybe they just really know how to play their toys. Recommended for fans of the Forgotten Fish Memory Orch. Picks To Click: "jucomeba comebi chi", "wasashi tono cupora."

Name-your-price/listen/purchase here:

Le Enfant Terrible: daeli cane

(Apologies if this blog is getting a bit neglected: trying to catch up on work, summer holidays, etc. Many more silly/naughty/filthy old 78s coming soon!)

JUNK ORCHESTRAS Pt 3

I'll be guest dj-ing once again this Sunday, 8pm PST on Spacebrother Greg's "Radio Misterioso," bringing up another batch of wild sounds that have mostly not been featured here. Listen live at http://killradio.org/ so you can call in and/or go on Greg's facebook page and leave comments 'n' stuff.

And now...on with the show:

My recent posts about musicians who build their instruments out of junk reminded me of similiar artists I'd written about, whose songs posted ages had long since gone off-line.  I was also reminded of a recent single re-release, and miscellaneous records I'd had for years.

Junkyard Bands

The Junkman - 'Beat The Can' [both from his album 'The Junkman 2," available from his site - the liner notes break down exactly what objects are used for each song]
The Junkman - 'Drug Puppet' [bit of a Residents kinda thing going on here]
Electric Junkyard Gamelan - 'Bigbarp' [pictured above]
Car Music Project - 'Noodles'
Gamelan Son of Lion - 'Bang on a Tin Can'
Electric Junkyard Gamelan - 'Nutbutter Challenge'
The LA Drivers Union Por Por Group - 'Por Por Horn-To-Horn Fireworks'
Electric Junkyard Gamelan - 'Space Kitty' (excerpt)
Staff Benda Bilili - 'Sala Mosala'
Wendy Chambers - 'Star Spangled Banner' [on the legendary car-horn organ, pictured right]
Wendy Chambers - 'The Kitchen' [not only are kitchen implements used as instruments, but an actual meal is supposed to be prepared during the performance of this piece!]
The Junk Yard Band - 'The Word' [killer Def Jam single from the '80s - a group of children playing gogo funk from DC; that lead singer rivals the young Michael Jackson]
The Watts Little Angel Band - 'Nik Nak Paddy Wack' [same concept as The Junkyard Band, but from a decade prior; this must-have single, whose b-side is an oldies medley 'New Orleans/Land Of A 1000 Dances,' has recently been re-issued]

All of this had me thinking about Test Dept (none of whose music I can recall off the top of my head) and Einstürzende Neubauten (think I did like some of their stuff), two '80s bands whose use of found percussion was popular with the industrial crowd, as it was seen not only as a way to be real noisy, but to seem shocking and rebellious and what-not.  

Also from the '80s: the L.A. band Savage Republic used things like an oil drum and a railroad tie - anyone else use junk percussion mixed with conventional instruments, in the service of actual songs? Think I read David Byrne saying that he and Eno played junk on "My Life In The Bush Of Ghosts."

And did the Bang On A Can group ever actually bang on cans?

JUNK ORCHESTRAS Pt 1: The Gas Tank Orchestra

I haven't been posting anything new lately, cuz I've been trying to re-up albums that were victims of the Great Mediafire/Rapidshare Takedown of 2013 by request. Which I'm happy to do, but I wasn't able to find: The Full Life All-Stars, The Lavender Jungle, "Ya No Hay Beatles," The Musical Betts, March Fourth 2012. 'Til then, dig these crazy sounds made not by guitars, not by keyboards, not by trap-drum kits - man, that old-fashioned stuff is for squares - but by stuff. Junk. 'Found objects,' and what-have-you.

The Gas Tank Orchestra does what it says on the tin, making their instruments out of discarded auto parts. The now-defunct New Orleans combo has an excellent posthumous free download album now available that does wander around somewhat aimlessly at times, as improv groups are wont to do, but really hits the gas (sorry) on nifty toe-tappers like "Making Way," "Bunnys Bolero" and "Desire Project." The GTO don't make the kind of racket that groups like Einstürzende Neubauten used to make - their sound is subtle, atmospheric even, with a keener sense of rhythm. They are from one of the world's funkiest cities, after all.

The Gas Tank Orchestra - "Homeshed"

Another album of theirs is available for streaming/purchase that features a more sampled/cut-n-paste production at times. Pick to Click: "Oilspeak."

The Gas Tank Orchestra - soundclick album

More junk orchestras to come in future posts.

SIX ACCORDIONISTS GO RIDING ON A CAROUSEL...

...No, that's not a joke set-up. It really happened on the Santa Monica Pier in 2010. Daniel Corral and his group the Free Reed Conspiracy actually sat on carousel horses that went up 'n' down, up 'n' down, playing a near-30 minute powerful drone piece - like Glenn Branca for squeezeboxes. "...the audience listened as the music spun past them." Watch it here (can't see the musicians much, unfortunately):

NEOTROPE

or download the mp3 from Corral's website if you scroll down a bit

HERE

tho it's not as densely loud. The acoustics of the 80-year-old carousel building no doubt caused much reverberation, which I prefer to the pristine studio version.

There was apparently an entire evening of music and performance on the carousel and, as I live in Los Angeles, am bummed that I wasn't there. Encore, encore!

PLEASE ACCEPT THIS FREE GIFT

Aren't ALL gifts 'free'? Isn't that what makes it a gift? Hey, if the advertisers and marketers of the world say it, then it must be true. So here's a goodie-bag of free inter-webular downloads that have grabbed my ears lately:

- A C Slate no r makes interesting sound collages by looping instrumental tracks as beds for spoken-word samples that are strung together in ways to suggest a kind of narrative.  My faves are the apocalyptic "Angels Watching Over Me," and "$ money piano $," an examination of materialism. Check the tracks called 'tape stories.' Negativland fans will want to peep this.
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- Buttress K. O'Kneel has a new release that layers multiple versions of that most ultimate of classical music cliches, Vivaldi's "The Four Seasons." Any new music from this Australian outlaw is worth a notice, but this one represents a completely new direction, forgoing the usual breakcore mashup madness for a dizzying mix of wedding music, Steve Reich-like phase-shifting, and mind-fucking psychedelia:

B'O'K  "The Four Four Seasons"

Which reminds me of this similar mix:

Beethoven Dada - unfortunately only a minute-long clip.  We want the whole thing!
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- mw ensemble, a New York-based avant-classical crew, have a 40-second track for piano and vacuum cleaner that is, in fact, called "I, for piano and vacuum cleaner ~A." It is really quite cool.  Available on this collection:

mw ensemble "6 Green Songs"
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- Music For The Muted is a German ambient/noise/drone combo with a new EP whose tracks all have numbers for names.  I particularly like "7," seven minutes of slowly-growing dark clouds of electronic sound dramatically rolling across the sky; somewhat reminiscent of the "Forbidden Planet" soundtrack.

Soundcloud
Mediafire
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OH/EX/OH are seriously bringing the ambient/noise/drone thang. Str8 outta Manchester, this prolific artist traffics in some pretty dark 'n' spooky stuff at times. This name-your-price EP is suitably atmospheric: 

OH/EX/OH "Entropic"

Some really nice stuff - I love the slowly-shifting chords of "The Holy Fallout." But this collection of audio vérité, however, isn't that scary at all:

OH/EX/OH "Tokyo Field Recordings"

I was alerted to this artist when they sent me an actual postcard in the mail.  Which I promptly lost for a few months. Glad I found it again.

The Everyday Film: "New Skin Wine"

I believe it was Winston Churchill who once described The Everyday Film as "a riddle, wrapped in a mystery, inside an enigma." After taking last year off (incarcerated? institutionalized?) he/they/it have released a new album and an ep, both available thru iTunes and Amazon. There's a whole lot of music out there in this great, big universe, but there is still nothing like The Everyday Film.

"New Skin Wine" is 11 tracks in a mere 22 minutes, but those are some pretty dramatically charged 22 minutes. The wide dynamic range of the album ranges from subliminal ambient drones and whispered vocals, to nightmare-ish noise that will have you jumping out of your skin if you're not riding the volume levels (look out, headphone wearers!) The album ends with over 2 minutes of static drone that might have you checking your stereo to see if it's grounded. 

After receiving the new album, I was wondering if TEF had anything new to say after all their releases, or if they still had the power to shock. Hoo boy. The track "Want Cycles" features electronics so terrifying that they make Throbbing Gristle sound like Air Supply.  Bravo!

TEF's trademark demonically harmonized vocals are not as present here, in favor of dark electronic soundscapes. But when they do appear, the old body-horror themes are still present in dimly-heard surreal snippets like "My cancer's gone, but you can't seem to put me back together," or "It should be enough to be my own dessert."

"Goool" is a three-track EP that features a nearly 13 minute long track.  Pretty amazing, considering most TEF tracks last less then one minute. TEF has given us the short version of "Goool" that's found on "New Skin Wine" to post here:

The Everyday Film: "Goool"

WELCOME TO THE TERROR-DRONE

New releases currently sending me off to dream-land:

Ambient-Hypno-Drone mix, containing bits of:

Nac/Hut Report's new album "Angel​-​like Contraction Reverse" is a swell follow-up to their debut we reviewed here a few years ago, and these Europeans continue to do the impossible: make noise sexy.  Brigitte Roussel's husky vocals add both melody and sensuality to the drum-less industrial sound-layering (and I use the phrase "industrial music" in it's original sense, not meaning funkless-disco-for-goths). Pick hit: "Greetings Blue, Summer 98," a fantastic mélange of electronic pulsing percussion noises, sharp shards of guitar, and languid vocals. They've made available two free songs, one off the album, and a b-side: 

Nac/Hut Report  “Junkstarrr/Bright Future” (streaming)
Nac/Hut Report “Junkstarrr/Bright Future” (download)

Avant composer Michael Gordon of New York's popular Bang On A Can ensemble has a spectacular album that consists of nothing but drumming on wooden planks. Yep, no other instruments, just the six-man Dutch percussion group SlagwerK Den Haag going to town on 2x4s cut to different lengths. Minimalism so spellbinding that nothing else is needed. AND the CD comes in a snazzy wooden box. Buy/listen: "Timber" 

Andrew McPherson's new album "Secrets of Antikythera" is a (mostly) solo piano album for people who don't like solo piano - the piano is "prepared," not in the Cage sense, but by using magnets.  "Sound is produced without loudspeakers using electromagnetic actuators to directly manipulate the piano strings". I don't know exactly what that means, but damn it Jim, I'm a doctor, not an experimental instrument technology explainer guy! (Check the video below for all that.) I can tell you that, following a couple violin pieces that didn't do much for me, it is some blissed-out  instrumental loveliness, commencing with the ghostly drone tones of "Prologue: Mystery", giving way to tracks like "Creation3" that sound increasingly piano-y.

Hanetration, a London artist I've written about before (I really liked his previous EP 'Tenth Oar') has a free 22 minute slice of sublime ambient drone now available. "Nae Troth" consists of nothing but looong sounds that start off chilled, but gradually intertwine, growing more complex and ominous. Electronic sounds build until, finally, they start to relax and drift off into the mist. I can imagine Brian Eno listening to this, nodding his head, saying: "Niiiice..." 

Hanetration "Nae Troth"

Gel Nails is an intriguing Canadian project whose Bandcamp tags pretty much tell the story: "experimental ambient electronic noise weird Edmonton." Yes, but subtle vocals also enter the picture at times. Their tumblr page has a number of free download releases that I quite liked once I asked how to download them: "if you put your cursor on the image, say the h.n.w. album cover, you will see 4 little icons appear in the top right corner. Click on the icon that looks like 2 links of a chain. Scroll to the bottom of the new page and there you will see a mediafire link." (But you knew that.) Or dig this name-your-price EP:

Gel Nails "H.N.W."

ALBUM DU JOUR #9: Eno: The Lost '70s Pop Album

No, this isn't an actual album, but a collection of b-sides, bootlegs, and appearances on other artist's albums from Bri-Bri's glam-rockin' heydey.  It would have made a great album, tho, for fans of the man's "Warm Jets"-to-"Before And After Science" song-oriented work, which would include, I would imagine, most of you-all at some point in your lives. I'm surprised that Eno or his labels have never put together a collection like this, seems like a natural. As he is one of the most famous/popular avant-rockers in history, you think they'd be trying to milk it they way they're doing with the Velvet Underground.

No ambient stuff here.  The Cluster tracks are certainly atmospheric, tho still actual tunes with vocals/lyrics.  The three tracks from "Peter and the Wolf" are instrumentals, but they rock - Eno going nuts on the synth, like his solos on Roxy Music songs like "Editions of You."

"Qu'ran," which sampled Muslims chanting from their holy book, was included on the original pressings of "My Life..." (I still have my old vinyl copy!) but not only was it not included as one of the many bonus tracks on the 25th anniversary re-issue, it's not even mentioned in David Byrne's otherwise thorough liner notes. Them Muslims must be scary...

Eno: The Lost '70s Pop Album

1. Seven Deadly Finns [single, 1974]
2. The Lion Sleeps Tonight (Wimoweh) [single, 1975]
3. Big Day [from Phil Manzanera's "Diamond Head" 1975]
4. Miss Shapiro                   "
5. The Paw Paw Negro Blowtorch [live, with The Winkies 1974]
6. Totalled [live, with The Winkies 1974 - a radically different version of this song would appear on 1975's "Another Green World" album as "I'll Come Running"]
7. Fever [Peggy Lee cover; live, with The Winkies 1974]
8. Baby's On Fire [live, with Kevin Ayers, John Cale "June 1, 1974"]
9. Third Uncle [w/Phil Manzanera's band "801 Live" 1976]
10. The Fat Lady Of Limbourg  "
11. Wolf [from "Peter And The Wolf" various artists inc Phil Collins, narrator: Viv Stanshell, 1975]
12. Wolf and Duck                   "
13. Wolf Stalks                        "
14. Luneburg Heath [w/German group Harmonia featuring Michael Rother from Neu!, and Cluster, from "Harmonia 76," unreleased until 1997]
15. Broken Head [from "After The Heat" w/Cluster, 1978, initially a somewhat hard-to-find import-only album in the US]
16. The Belldog                       "
17. Tzima N'arki                      "
18. R.A.F. [w/Snatch, "King's Lead Hat" b-side, 1978]
19. Qu'ran [w/David Byrne, from first pressings of their album "My Life In The Bush of Ghosts," recorded 1979, released 1981]

Thanks to pj for the artwork!

ALBUM DU JOUR #4: POLLUTING THE MAINSTREAM

The Eagles!  Fleetwood Mac!  Styx! Marie Osmond! That's the kind of stuff I listen to now.  All that weird, experimental stuff - what was I thinking?  Writing a blog about music that so few people care about...what a sad lonely life I've been livin'...  Well, forget that, I'm gonna be NORMAL! And what a relief it is, lemme tell you - I'm gonna hang out in sports bars, watch "American Idol," stop listening to college/public radio and keep my dial set on AM talk from now on.  Hall & Oates!  Chicago!  Muthafuckin' ABBA!  Hell yeah, where's my pink Izod shirt and penny loafers?!

This playlist is no joke.  All the artist represented here making crazed noise, goofball novelties, flipped-out weirdness, and self-indulgent nonsense are the very same acts who made all those familiar mainstream hits (granted, including Joey Ramone here stretches the definition of 'mainstream' a bit).  See? The Beatles weren't the only superstars to have a "Revolution No.9" in them.


UPDATE 12/2/12: Now on Zippyshare, for those of you who had trouble with Mediafire 
POLLUTING THE MAINSTREAM

I was going to go into explanations about how these oddities came to be, like how that's Robert Fripp (!) playing on the Hall & Oates, how "Mother" was the only song by the Police that I loved, etc., but I think it's best for you to just listen to this and be amazed - play it for your friends and see if they can guess who's who.

1. Chicago "Free Form Guitar"
2. Donovan "The Intergalactic Laxative"
3. The Eagles "The Greeks Don't Want No Freaks"
4. Fleetwood Mac "Somebody's Gonna Get Their Head Kicked In"
5. Frank Sinatra "Reflections On The Future In 3 Tenses" excerpt (by Gordon Jenkins)

6. Hall & Oates "Alley Katz"
7. Heart "Hit Single"
8. Debbie Harry "In Just Spring"
9. James Brown "The Future Shock Of The World"
10. Marie Osmond "Karawane"
11. The Police "Mother"
12. Nirvana "Montage of Heck Part 1"
13. Nirvana "Montage of Heck Part 2"
14. Prince "Bob George"
15. Buddy Holly "Slippin' And Slidin' (sped-up version #1)"
16. Styx "Plexiglass Toilet"
17. Joey Ramone "The Wonderful Widow of Eighteen Springs"
18. Toto "Robot Fight"
19. Van Halen "Strung Out"
20. Willie Nelson "Cowboys are Frequently Secretly Fond of Each Other"
21. Abba "Intermezzo no.1"
22. Alice In Chains "Love Song"
23. Cat Stevens "Was Dog a Doughnut?"

The Dubuque Strange Music Society

The excellent Neon Lushell album that I wrote about recently was my first clue that strange things are afoot in Iowa. Turns out that it was just the tip of the iceberg: Dubuque experimental music maven Bob Bucko Jr. (aka BBJr) sent me a shoebox's worth of cassettes (and one vinyl), as well as a couple of 'zines, that all make a persuasive case for the Iowa experimental music scene. None of it sucks, much of it's exceptional.

You've got yer "A" list music cities that might be major (New York, LA, Berlin, London) or towns with smaller populations that, nonetheless, boast outsized musical reputations (Athens GA, Austin TX, Sheffield UK). And then you got yer "B" cities that no-one's paying any attention to, tho they have folks just as creative as can be found in any of the big boys. Dubuque falls into the latter - noise, ambient, drone, improv, rock, found sounds, all get thrown in the blender whilst steadfastly avoiding cliches. Mr. Bucko has prepared a sampler cd for free download for y'alls:


Personal Archives Digital Mixtape

This collection starts off with a track that resembles "rock" music, before moving into thoroughly unpredictable territory by such artists as Implied Consent, Dead Man's Lifestyle, Distant Trains, and more from BBJr. Instrumentals predominate, veering from crunchy distortion to chilled electronics, sometimes both. BBJr's "At The Bar" recalls '70s cosmic Moog records; Aisle's "crest, fallen" could be one of Nurse With Wound's abstract, but humorous collages, with Chipmunk-y vox over unidentified sounds. The Floating Cave track is an ominous drone that really did make me feel like I was in a deep, dark cave. And Aural Resuscitation Unit's "Dubbing An Arab" isn't the reggae remix of The Cure that one would expect from such a title; it does sound like a (heavily processed) skipping record that might be the Cure, but who can tell? Whatever it is, it's 16 minutes of trippy amazing-ness.

Some of my fave stuff from this scene is only for purchase, like this one:

"On and On We Sing Our Song"

Well worth the mere few bucks it costs for BBJr's fascinating loop-driven sound collages. The industrial-strength funk of "Time is Something" is also worth your pennies. And another band not included on this cd are the Glimmer Blinkken, whose downtown New York c. 1981 sound comes closest to "normal" music.

The history of the scene outlined in the "Ruix" 'zines reveal that many of these cats come from a typical metal/rock background.  So how did they end up here?  To quote from the zine's new blog: "Like most river towns, Dubuque is teeming with personality, and its residents utilize the cultural vacuum of the midwest to great effect. Without an academy to report to or the bored shrugs of scene- conscious youth to deflect, folks in Dubuque have cultivated a diverse portfolio of artistic expression." Do scenes like this exist all over?  Is there some crazy stuff in, say, Missoula, Montana that I should know about?

For further exploration:

http://personalarchives.bandcamp.com/merch
Captcha Records
Dubuque Strange Music Society
http://centipedefarm.com/
http://lation.org/feltcat/ and http://feltcat.bandcamp.com/

"Stairway To Heaven" Stretched To 77 Minutes

Buttress O'Kneel is the Australian madwomen who won our "M4M Idol" contest last year, and "Avant Retro: Post​-​Tardcore," her latest mashup/sound collage on-line album, continues her winning streak. She rarely just drops an acapella from one song over someone else's instrumental, and when she does, as in the 48 second Guns 'n' Roses vs Jane's Addiction "Been Caught", it's all-too-short.  Many tracks seems to have at least 4 sources fighting to be heard. Other strategies include: creating amusing dialogues between the songs (dig Grandmaster Flash's back-and-forth with the B52s on "Jungle Rat"), pounding the likes of The Buggles and Rick James into breakcore submission, and glitching up a song into abstraction a la John Oswald's Plunderphonics ("Mother Nature's Mulch"). And what's not to love about a song with a title like "She Blinded Me With Shatner"? Pick hit: "Running For Party Leader." (And bonus points for elsewhere sampling nutty Rhino Records parodists Big Daddy.)

Buttress O'Kneel "Avant Retro: Post​-​Tardcore"

All of which makes her other new recordings so surprising: they are as chilled and meditative ("spiritualy-themed," she sez) as her usual stuff is violent and confrontational.  She has recently uploaded a series of extremely-slowed down remixes (for lack of a better word) to archive.org. Stevie Wonder's "Superstition," the theme song to 'The Neverending Story' (at a never-ending 102 minutes long), and Queen's 'Bohemian Rhapsody', among others, have been streeeeeeetched to great lengths. The results are not the monotonous drone-fests you'd expect, but beatiful ambient music. My fave of the bunch is "Heaven," which elongates Zep's "Stairway To Heaven" to 77 minutes and 7 seconds.  When Robert Plant's vocals show up at around the 9 minute mark, they are surprisingly legible - you can make out some of the lyrics. This track was even apparently actually played at a church service, but the sometimes spooky results are as ghostly as they are Gregorian. Free listen/download here:

Buttress O'Kneel "Heaven"

Modern Purveyors Of Filth And Degradation: A New Music Roundup

So, so many albums out there! And some of them are even good!  Wish I had time to dedicate one post to each one, but due to the usual time constraints, here's another mix of recent (or recent to me) albums for Maniacs, available for purchase or free download, or both. Not much avant-heaviness this time out, but lots of summer-fun silly/strange excuses for pop music here. 

Modern Purveyors Of Filth And Degradation


1. Neon Lushell "Leave Me Alone" - these Midwesterners have recently dropped one of the albums of the year, I sez, in "Modern Purveyors Of Filth And Degradation (In A Time Of Peace And Understanding)". It moves from the Ministry-like bangin' album opener featured here, to dark ambient, surreal soundscapes, and twisted folk. "Dark music" without a hint of the usual cliches, e.g.: death-metal, Joy Division soundalikes, etc. A lot of self-described "strange" or "experimental" artists submit music to me, but most of it lacks the originality and imagination of these sick kitties.

2. Jan Turkenburg "droodle20110809[F***TheMeaningOfLife]" - Wonderful sound-collage from the nutty Dutchman who's been posting a series of similiar cut-and-paste "droodles" on the the ever-crucial PCL Linkdump.

3. Bob Purse "It's Not A Regular Day" - Shamelessly silly-but-swell novelty tune from The Many Moods of Bob, the recent debut album compiling many years worth of home recordings from the great music blogger Bob Purse. The man even does covers of song-poems, forpetessake.

4. Lydia Kavina "Free Music #1 (1936)" - From the album "Music from the Ether: Original Works for Theremin" by the grand-niece of Leon Theremin himself, and sometimes member of bizarro surf band Messer Chups. Excellent stuff - if you buy one theremin album in your life, buy this one. 

5. Ace of Clubs "Rehab Dem Bones " - a Herman Munster vs Amy Winehouse mashup collected off the internet.  You'll laff!

6. DmR of AtoZ "Get Up" - Another mashup, this takes numerous Beatles vocals and expertly drops them over the bassline to Tom Waits "Step Right Up." From the on-line collection "You Can't Mash That vol 28" (which I haven't actually heard, just this song.)

7. the archaeologist "pouvons-nous avoir un cendrier" - This album "parlez vous francais?" is based on a French language instruction tape (+ beats, music), which gets to be a bit much after a while.  Works great in short doses tho, like this yummy truffle that also throws in bits of Gil-Scott Herons' "Whitey's On The Moon."

8. Covox "Computer Love" - from 8-Bit OPERATORS-An 8-Bit Tribute To Kraftwerk

9. The Fire Organ "Little Fishes" - Quirky pop tune that's quite good despite the off-key singing; from an album ("Dumbed Out") that doesn't seem to be on-line any more. Hmm, maybe he's re-cutting the vocals...

10. Ban This Sick Filth "Powerhouse" - Raymond Scott's 1937 cartoon classic gets a boomin' remix courtesy of this offshoot of London mash-masters Celebrity Murder Party.

11. Greg Reinfeld "Pink Ballerina" - This highly prolific free-internet-album guy's latest is "Poorest Almanac That Ever Lived".

12. Hanetration "Rex" - Taking a breather from all this silliness, this is from the all-too-brief 4 track FREE! download release "Tenth Oar" of evocative, compelling ambiance.

13. Snaps 'n' Claps "Soldier Boyfriend" - Charming Casio girl-pop that may be more knowing than it lets on beneath its naive presentation. From their Feeding Tube cd-r "Greatest Hits."

14. Maladroit "Musicbox Jungle (Negrobeat Remix)" - Hysterical break-core collision of the '70s E-Z instro "Music Box Dancer" with that '90s 'Mr. Boombastic' song, as all heck breaks loose. Australians seem to be good at this sorta thing.

15. 1001 "Nieszczesliwa milosc, hej!" - This Polish gent hipped me to some outsider music from his land, and when I checked out his own stuff, I found this song, which makes awesome use of loops of people laughing.

16. Moose A. Moose & Zee D. Bird "Everywhere I Go" - If you have kids, you probably know this insanely catchy tune from the video that used to be shown often on the Nick Jr network. It's not available for sale, or as an mp3 anywhere, so I recorded it off a YouTube video and it came out surprisingly well. Do you know how many people want this?! Esp. since apparently Nick Jr has stopped showing the Moose & Zee bits. I am doing a public service! 

17. Janek Schaefer "Recorded Delivery [7" edit]" - From London comes this jaw-dropping artifact: a tape-recorder sealed in a box and mailed, which then recorded everything. "Recorded Delivery is a sound activated tape recording of parcel travelling through the Post Office system...The sound reactive dictaphone automatically edited the 15 hour journey to a 72 minute recording, capturing only the most sonically interesting elements of the journey."

18. Mari L. McCarthy "Weekend In New England" - This amateur tribute to '70s schlock crooner Barry Manilow entitled (hoo boy) "The Barry Thought Of You," sent to us by our frequent contributor windy, would be awful enough, but then on this song she goes and splices in the voice of Barry himself to create a Natalie/Nat Cole-like exercise in outsider horror.  Why, windy, why??

19. Willful Devices "Lattice XVIIb" - This 2-man-band (electronics & clarinet/woodwinds) go absolutely nuts on this track. Free-improv can be fun!

The Earliest Known Recorded Music in Existence

Yep, only three known copies of this Edison wax cylinder from 1888 exist, which would certainly make this one of the most historically prized recordings ever.  But it's also a good listen. 

The "song" heard here is an excerpt from classical composer Handel's "Israel In Egypt" sung by, to quote a note on the cylinder: "A chorus of 4000 voices recorded with phonograph over 100 yards away." Conducted by August Manns; recorded by Col. George Gouraud, foreign sales agent for Thomas Edison at the Crystal Palace, London, England, June 29, 1888.

A hundred yards away?!  At first I thought: 'a hundred feet away', the length of a football field, but no, it says 'yards.' Dang, that's far. So what does it sound like?  Pretty avant-garde, actually - the white-noise of the cylinder whirring around melded with the huge distant choir is a strange and haunting sound, indeed. Not too far removed from something you might hear on a Zoviet France or Nurse With Wound album. Knowing that these are actual voices from the 1800s adds a ghostly mystery to the experience.

Handel festival: "Israel In Egypt" - excerpt

(Courtesy of archive.org.)

Music Recorded In A Cave on "The Great Stalacpipe Organ"

Here's some real "underground music," har har!  Put on your lantern helmet and repel with me down into Luray Caverns, Virginia, where an engineer named Leland Sprinkle noticed that striking the cave's rock formations produced musical tones. So, in 1954, he conceived of an organ with little hammers that strike a hollow rock when the organ's keys are depressed. It's quite musical, though with a limited sonic palette. Rather then the usual pipe organ bombast, the Stalacpipe Organ ("The World's Largest Musical Instrument!") is quiet, ghostly. The reverberating splashes of dripping water in the background sounds like sporadic electronic percussion, adding to the ambient feel.


In 2001, United States Naval Academy chapel organist Monte Maxwell recorded a cd full of popular, classical, gospel, and American patriotic standards played on the Organ. Four-and-a-half years ago, when the album was still in print, I posted one song from it, but as it has apparently fallen into a deep cave, here's the whole dang deal:

Midnight In The Caverns: Music From The Great Stalacpipe Organ

Older recordings can be heard here (the original 365 Project), and Week 15 of Tape Findings.