PRIMITIVE: LOU REED'S PRE-VELVETS RECORDINGS

I first encountered the early works of the recently-departed Lewis Reed as a youngster obsessed with all things Lou/Velvets (I even bought "Sally Can't Dance"!) in the '80s visiting New York City. I slipped away from my family long enough to check out a lower Manhattan record store, made a bee-line to the VU section, and found two bootlegs entitled "The Velvet Underground Etc." and "The Velvet Underground And So On," compiled by Phil Milstein. Yes, the same man behind the song-poem resurgence, and the crucial Probe! music blog. The albums featured, apart from Velvets rarities, some surprisingly normal pre-Velvets Reed recordings. When I brought the records to the counter, I asked the guy to play them because with boots, you never know what you're gonna get.  He happily obliged, exclaiming: "The Ostrich by The Primitives is one of my favorites!" That song, featuring an early lineup of the VU, and featuring the "ostrich guitar" sited on the "banana" album (all strings tuned to the same note) quickly became a fave of mine as well, tho I had a hard time convincing my school chums of the coolness of this, well, primitive recording. When I bought an electric guitar, I tried tuning it to all one note. Sounded great!  Sounded a lot like Sonic Youths' guitars, actually. Which of course, should come as no surprise.

Since then, I've found other early rarities, as other early recordings came to light, inc. the previously-unreleased "Lewis Reed" songs from the same producer who put out a 45 by his high-school band, the Jades. The presence of the then 16-year-old Reed isn't too apparent on the Jades record, singing backup and playing guitar behind smooth singer Phil Harris, the star of the show. R'n'B sax star King Curtis, no less, is one of the session cats brought in. It's an okay, sorta generic doo-wop record. The Lewis Reed recordings, however, find Lou taking his first lead vocals, and they're great.  "Merry Go Round" should have been released, it's a sweet little rocker.

After university, Lou joined cheesy "budget" label Pickwick Records, and co-wrote a number of songs churned out to meet the current crazes, e.g.: surf, soul, etc. His distinctive lead vocals are featured on some of these, tho not on the hypnotic garage/psych classic "Why Don't You Smile now," a song that would be covered a number of times by other artists over the years (inc Moe Tucker).

There are other records Lou co-wrote for Pickwick performers Roberta Williams, The J Brothers, and Terry Phillips, but I don't have those.  So far as I know, these are all the pre-VU records with Lou's lead vocals. Nothing that would shake the earth the way the Velvets did, but many of these sides are good, fun early rock 'n' soul nuggets that are worth hearing for their own merits. Linger on... 

Primitive Lou Reed

1. Jades - Leave Her for Me
2. Jades - So Blue (time-1002, 1958)
3. Lewis Reed - Merry Go Round (1962)
4. Lewis Reed - Your Love
5. The All Night Workers - Why Don't You Smile Now
6. The Beachnuts - Cycle Annie (1965)
7. The Beachnuts - I've Got A Tiger In My Tank
8. the Hi-Lifes - Soul City (1965)
9. The Primitives [pictured right]- Sneaky Pete
10. The Primitives - The Ostrich
11. The Roughnecks - You're Driving Me Insane

JUNK ORCHESTRAS Pt 3

I'll be guest dj-ing once again this Sunday, 8pm PST on Spacebrother Greg's "Radio Misterioso," bringing up another batch of wild sounds that have mostly not been featured here. Listen live at http://killradio.org/ so you can call in and/or go on Greg's facebook page and leave comments 'n' stuff.

And now...on with the show:

My recent posts about musicians who build their instruments out of junk reminded me of similiar artists I'd written about, whose songs posted ages had long since gone off-line.  I was also reminded of a recent single re-release, and miscellaneous records I'd had for years.

Junkyard Bands

The Junkman - 'Beat The Can' [both from his album 'The Junkman 2," available from his site - the liner notes break down exactly what objects are used for each song]
The Junkman - 'Drug Puppet' [bit of a Residents kinda thing going on here]
Electric Junkyard Gamelan - 'Bigbarp' [pictured above]
Car Music Project - 'Noodles'
Gamelan Son of Lion - 'Bang on a Tin Can'
Electric Junkyard Gamelan - 'Nutbutter Challenge'
The LA Drivers Union Por Por Group - 'Por Por Horn-To-Horn Fireworks'
Electric Junkyard Gamelan - 'Space Kitty' (excerpt)
Staff Benda Bilili - 'Sala Mosala'
Wendy Chambers - 'Star Spangled Banner' [on the legendary car-horn organ, pictured right]
Wendy Chambers - 'The Kitchen' [not only are kitchen implements used as instruments, but an actual meal is supposed to be prepared during the performance of this piece!]
The Junk Yard Band - 'The Word' [killer Def Jam single from the '80s - a group of children playing gogo funk from DC; that lead singer rivals the young Michael Jackson]
The Watts Little Angel Band - 'Nik Nak Paddy Wack' [same concept as The Junkyard Band, but from a decade prior; this must-have single, whose b-side is an oldies medley 'New Orleans/Land Of A 1000 Dances,' has recently been re-issued]

All of this had me thinking about Test Dept (none of whose music I can recall off the top of my head) and Einstürzende Neubauten (think I did like some of their stuff), two '80s bands whose use of found percussion was popular with the industrial crowd, as it was seen not only as a way to be real noisy, but to seem shocking and rebellious and what-not.  

Also from the '80s: the L.A. band Savage Republic used things like an oil drum and a railroad tie - anyone else use junk percussion mixed with conventional instruments, in the service of actual songs? Think I read David Byrne saying that he and Eno played junk on "My Life In The Bush Of Ghosts."

And did the Bang On A Can group ever actually bang on cans?

L. RON HUBBARD SPLURGES ALL OVER YOU

"Force yourself to smile and you’ll soon stop frowning.
Force yourself to laugh and you’ll soon find something to laugh about. Wax enthusiastic and you’ll very soon feel so. A being causes his own feelings. The greatest joy there is in life is creating. Splurge on it!"

If you don't have those words memorized, you will, after hearing them repeated over and over on this ghastly 2001 album released by the Church of Scientology, voiced by a semi-all-star team of singers. It sets the poems of the cult's late founder L. Ron Hubbard over crappy music that sounds way too dated to have been recorded only 12 years ago.  I genuinely figured this was from the mid-'90s at the latest. So what's it's all about, Alfie?

- We kick things off with an intro from soul legend Isaac Hayes, who unfortunately only has a couple of quick cameos on this album. Hearing Hayes' trademark baritone speaking voice trying to give this drivel a bit of gravitas is pretty great - as funny as his "South Park" work.
- Anyone who thinks joining Scientology will give your showbiz career a boost should ask "fresh new singer" Shannon Star Roberts, or L.J. Jackson - this album is their sole Discogs credit. One of Roberts' boring songs references Scientology mythology: "Theta, Theta, See You Later." Catchy, eh?
- Carl Anderson apparently was one of the original stars of "Jesus Christ Superstar" and had some pop hit in the '80s "that endeared him to soap-opera fans" (gee, wonder why I never heard of him?); one of his two songs here is a mindbogglingly awful 16-minutes long. Two minutes would be bad enough, but, holy hell, sixteen interminable minutes? He should be shot! Oh wait, he died of an illness a few years after this album. Never mind.
- I always respected Doug E. Fresh as a hip-hop pioneer who recorded the classic single "The Show"/"La Di Da Di." But one of the low-lights of this album is the appalling apocalypse fantasy "We're Going Up While The World Goes Down," which Fresh futilely tries to pump up into a wave-your-hands jam despite lyrics like:
"I was in a Safeway row
of housewives and no chow
Who said they'd been forsaken
by even moldy bacon
The manager's cruel cry
Was the actual why
They'd ate up all the animals
And now must turn to cannibals"
Apart from retarded grammar ("The manager's cruel cry Was the actual why"?!?) Hubbard's attitude of: you're-all-gonna-suffer-and-die-but-we-won't-ha-ha! is hideously immoral for someone claiming to be a spiritual leader. It reminds me of the Xian fundies' 'rapture' fetish. Needless to say, the generic music has gone thru the Scientology washing-machine, bleaching out any chance of black funkiness.
- Someone named Pamela Falcon has the thankless task of translating one of Hubbard's free-verse poems into music, to whit: "CUPIDITY/Cunning mind/Which unnerves the eye/Unclean lancet." Come on everybody, sing along!
- Another low-light: albino blues-rocker Edgar Winter is one of those well-known figures I'd never really had an opinion on one way or another. Well, I have one now: I fuckin' hate him! His "The Joy of Creating" begins with him saying "Y'all know about the joy of creation? Well, this is how we do it down in Texas." He then proceeds to insult the entire Lone Star State with hysterical gurglings that pass for singing over pseudo-enthusiastic music that has all the soul of John Tesh. I have a hard time having much respect for someone  who would allow this abortion to be released under his name, with his consent, while calling himself an artist.
- Chick Corea, the guy who contributes the only boring parts to otherwise-classic Miles Davis albums, drops by with under two minutes of pointless piano noodling and recitation.

A former Scientologist known on-line as Tiger Lily wrote on an ex-Scientologist message board: "At the time I was in, those albums were touted as being so theta-infused that just listening to them was supposed to key you out. They had the songs on their phone system "hold", and played them in the lobby over and over (how the staff stood that I'll never know).

I took that to heart and listened whenever I could. I lived 2 hours from the Org so I would listen to those *&^%$%# things for 4 hours on course days trying to internalize them. I memorized all the words. I sang along.

I remember thinking it was pretty cheesy , but they told us that Ron's music was way ahead of it's time, so I just decided I must be stuck in the 70's or something and made myself like it."

Listen to the "way ahead of it's time" music here:

The Golden Era Musicians and Friends "The Joy of Creating"

1	Isaac Hayes–	The Joy Of Creating Prelude	0:48
2	Shannon Star Roberts–	Theta, Theta, See You Later	3:22
3	Shannon Star Roberts–	From Sea Of Dreams	2:46
4	Carl Anderson and Brenda Eager * –	The Love Of A Man	3:58
5	Doug E. Fresh–	The Joy Of Creating	2:39
6	Doug E. Fresh–	We're Going Up While The World Goes Down	5:55
7	Howard McCrary and L.J. Jackson–	The Joy Of Creating	1:12
8	Pamela Falcon–	The Sum Of Man	5:40
9	Edgar Winter–	The Joy Of Creating	2:32
10	Edgar Winter–	Blue Endless Sea	3:55
11	Elena Roggero–	The Joy Of Creating	1:41
12	Elena Roggero–	Stamboul	3:38
13	Chick Corea–	The Joy Of Creating	1:46
14	Carl Anderson and Elena Roggero–	Song Of The Bard	16:58
15	Isaac Hayes–	Envoi                                                           00:32

CURL ACTIVATE 2: More '80s Hip-Hop Novelties

This sequel to my first batch of novelty rap 12" singles can be enjoyed and/or appreciated on a number of levels, depending on how funny/funky/cheesy/awful you find them. And they certainly are an '80s time capsule. But they're also a bit of a corrective to the standard rock-crit history of hip-hop, which goes something like this: "Rappers Delight" kicks it all off, Grandmaster Flash's "The Message" brings in social commentary, Run-DMC make it a legit musical form, Public Enemy and BDP bring more social commentary and, along with N.W.A., express the seething rage of young black ghetto-dwellers. 

Riiiight. 



So what is the real story of hip-hop?  Certainly, the above Rolling Stone-approved history was part of it, but, like early rock, it was a genre for kids, and largely a singles medium (full-length albums were reserved for true 'artists.') Plenty of dance crazes, answer records, and comedy tunes. And I should know, I was one of those kids, listening to Compton's KDAY ("Cold rockin' the radio!"), yucking it up to the likes of The Fat Boys, Bobby Jimmy & The Critters, and The Fresh Prince before he adopted the bizarre stage name of 'Will Smith.' I thought it was plenty avant-garde, actually, what with the lack of singing, the human-beatboxing, electronics, turntables, sampling.  Seems totally obvious now, but at the time it was quite fresh and radical.  There had never been anything like it. 

This collection is indeed what much of the first decade of hip-hop consisted of: goofy novelty records, some by celebrities jumping on a trend, some by comedians, some by one-off opportunists, even some by actual rappers. No-one cared about "keepin' it real." It was, like garage-rock in the '60s, just a goof, a bit of fun not to be taken too seriously. After all, it's not like hip-hop was ever going to actually achieve mainstream popularity, right?

CURL ACTIVATE 2

1. The Qwarymen - Beatle Rap
2. Greg Poltrock / Rick Rumble - Mayberry Rap
3. Joe Piscopo/Eddie Murphy [& DJ D.S.T.] - Honeymooners Rap
4. Rodney Dangerfield - Rappin' Rodney
5. Shawn Brown - Rappin Duke (now you know what Biggie was referring to when he said "Remember 'Rappin Duke'/daw-ha daw-ha")
6. Elvira - Monsta Rap (technically, I think this came out in the early '90s, but boy, it sounds Eighties)
7. Hurt 'Em Bad - NBA Rap
8. Ron & DC Crew - Ronnie's Rap
9. Doonsbury Break Crew - Rap Master Ronnie
10. Bobby Jimmy & The Critters- Roaches (parody of the Timex Social Club hit "Rumors")
11. Dan Aykroyd & Tom Hanks - City of Crime (from the "Dragnet " soundtrack)
12. Eddie Murphy - Boogie in Your Butt
13. Hurt 'Em Bad - Boxing Game
14. Mel Brooks - Hitler Rap
15. Chicago Bears - Super Bowl Shuffle


Thanks to reader chuck for the suggestions - wish I could have found a copy of 'Contra Rap'! (And I'd kill for a copy of the Lakers rap record.)

ALBUM DU JOUR #4: POLLUTING THE MAINSTREAM

The Eagles!  Fleetwood Mac!  Styx! Marie Osmond! That's the kind of stuff I listen to now.  All that weird, experimental stuff - what was I thinking?  Writing a blog about music that so few people care about...what a sad lonely life I've been livin'...  Well, forget that, I'm gonna be NORMAL! And what a relief it is, lemme tell you - I'm gonna hang out in sports bars, watch "American Idol," stop listening to college/public radio and keep my dial set on AM talk from now on.  Hall & Oates!  Chicago!  Muthafuckin' ABBA!  Hell yeah, where's my pink Izod shirt and penny loafers?!

This playlist is no joke.  All the artist represented here making crazed noise, goofball novelties, flipped-out weirdness, and self-indulgent nonsense are the very same acts who made all those familiar mainstream hits (granted, including Joey Ramone here stretches the definition of 'mainstream' a bit).  See? The Beatles weren't the only superstars to have a "Revolution No.9" in them.


UPDATE 12/2/12: Now on Zippyshare, for those of you who had trouble with Mediafire 
POLLUTING THE MAINSTREAM

I was going to go into explanations about how these oddities came to be, like how that's Robert Fripp (!) playing on the Hall & Oates, how "Mother" was the only song by the Police that I loved, etc., but I think it's best for you to just listen to this and be amazed - play it for your friends and see if they can guess who's who.

1. Chicago "Free Form Guitar"
2. Donovan "The Intergalactic Laxative"
3. The Eagles "The Greeks Don't Want No Freaks"
4. Fleetwood Mac "Somebody's Gonna Get Their Head Kicked In"
5. Frank Sinatra "Reflections On The Future In 3 Tenses" excerpt (by Gordon Jenkins)

6. Hall & Oates "Alley Katz"
7. Heart "Hit Single"
8. Debbie Harry "In Just Spring"
9. James Brown "The Future Shock Of The World"
10. Marie Osmond "Karawane"
11. The Police "Mother"
12. Nirvana "Montage of Heck Part 1"
13. Nirvana "Montage of Heck Part 2"
14. Prince "Bob George"
15. Buddy Holly "Slippin' And Slidin' (sped-up version #1)"
16. Styx "Plexiglass Toilet"
17. Joey Ramone "The Wonderful Widow of Eighteen Springs"
18. Toto "Robot Fight"
19. Van Halen "Strung Out"
20. Willie Nelson "Cowboys are Frequently Secretly Fond of Each Other"
21. Abba "Intermezzo no.1"
22. Alice In Chains "Love Song"
23. Cat Stevens "Was Dog a Doughnut?"

DOWN BY LAW: NYC PunkFunk '78-'84

New York, you need to dance.

Jeez, first Hurricane Sandy, now another freezing storm is hitting your sorry ass. It makes me sad to see the Land of My Ancestors getting knocked around like this - I had many happy days staying with relatives in Manhattan in the crazy Eighties. My cousins would take me to places like Area, Danceteria, and, yes, CBGBs, and we'd have a gay ol' time in those days when they didn't check your ID too closely.

So let's get down and boogie to a collection of the greatest dance "hits" of what has been called the "No Wave" era of NYC music.  Late '70s/early '80s downtown Manhattan was bursting with alt-classical composers, free jazz, New Wave, performance art and, most notoriously, noise bands. Apart from downtown, hip-hop was getting started in the South Bronx and Queens and house music was growing. All of which would coalesce into the punk-funk (aka mutant disco) of the bands presented here. Never has "dance" music been so dark, noisy, and experimental. Unlike the earlier sexy funk of James Brown et al, this stuff is uptight, tense, full of punk's nervous energy. And if the disco they were playing uptown at Studio 54 was slick and glamorous, this music was low-budget, as dirty as a SoHo street corner.

Has there ever been a more inclusive music scene? Black, white, Puerto Rican; gay & straight; male, female, and undetermined; jazz, rock, avant-garde - everyone grooving together.  All you needed was a throbbing bass line and some cowbells and congas.

Most of what I know about the earlier New York Dolls/CBGB era I got from history. But this stuff, like the Suicide song featured here, I remember. I bought some of these records back in the day, I'd hear 'em on the radio. Bi-coastal rivalry meant that this music wasn't as acceptably cool as the hardcore punk scene raging around me in LA (remember Fear's "New York's Alright If You Like Saxophones"?  A song I loved, by the way) - but I dug it. I hadn't heard some of these songs in ages, but they hold up really well - it helps that not much music has been made like this since (no one plays percussion anymore?), so it still sounds fresh. And FUN. Get well soon, New York (and New Jersey, and whoever else)!

DOWN BY LAW: NYC PunkFunk '78-'84
or:
DOWN BY LAW: NYC PunkFunk '78-'84 (alt. link)


1. Fab Five Freddy "Down By Law"
2. Liquid Liquid "Cavern" (Perhaps the biggest "hit" song of this genre, and, yep, where Melle Mel got the music for "White Lines")
3. ESG "Moody" (oft, and I'm talking oft sampled band of three sisters/sistahs)
4. The Del-Byzanteens "My Hands Are Yellow (From The Job That I Do)" (History remembers this band for featuring future filmmaker Jim Jarmusch, but they actually were pretty cool.)
5. The Bush Tetras "You Can't Be Funky"
6. Lizzy Mercier Descloux "Wawa"
7. Dog Eat Dog "Rollover"
8. Cristina "What's A Girl To Do"
9. Kid Creole & The Coconuts "There But For The Grace of God Go I"
10. Konk "Elephant" (Speaking of Jim Jarmusch, Richard Edson from this band would act in Jarmusch's film "Stranger Than Paradise," co-starring another downtown scenester, John Lurie of jazzers The Lounge Lizards)
11. The Work "Nearly Empty"
12. Pulsallama "The Devil Lives In My Husband's Body" (This very large all-girl band featured future actress and Bongwater member Ann Magnuson)
13. Material "Square Dance" (featuring future producer-to-the-stars Bill Laswell)
14. The Dance "Do Dada"
15. James White & The Blacks "Almost Black 1" (Some of James White/Black/Chance's band quit to form Defunkt)
16. Defunkt "Blues"
17. Ike Yard "Cherish 8" 
18. 8 Eyed Spy "Motor Oil Shanty" (singer, in the loosest sense of the word, Lydia Lunch was previously in notorious noise band Teenage Jesus and The Jerks)
19. Loose Joints "Pop Your Funk"   (featuring '80s NY avant-disco mastermind Athur Russell)
20. Suicide "I Remember"

This scene is not forgotten - there are some good books that cover it: "The Downtown Book," "New York Noise," "No Wave", all of which make the point that music was just one element of the downtown scene - painters, photographers, filmmakers, dancers, and performance artists all got thrown into the mix.  No one seemed to do just one thing. And they also point out the scene's downfall: rising real estate prices that made Manhattan living impossible for starving artists, AIDS, and the inevitable mainstream absorption.

Oh, and the expression 'down by law' meant that you were hip, street-wise.  As Grandmaster Flash's Furious Five once rapped: "New York New York, big city of dreams/but everything in New York ain't always what it seems/you might get fooled if you come from out of town/but I'm down by law and I know my way around."

Do Other Music Bloggers Get This Kind Of Mail?

"Hello:

Guinness World Record holder (for woman with the longest fingernails), The Dutchess, is breaking into the music industry. The multi-talented phenomenon has recently announced the debut of her rock single, “Phoenix" The song was released on YouTube earlier this summer and created a buzz..."

So sayeth her publicist. Which is why I couldn't go into publicity. The Python-esque results would have been something like:

The Dutchess: I want to be a singer.

Publicist: Okay. And what are your qualifications?

The Dutchess: I have the world's longest fingernails.

Publicist: I see...You know, if a record company is looking for singers, I doubt that the first thing they'll ask is, 'Does she have long fingernails?'

Her useless song features Miss ScaryNails' r'n'b vocal stylings over rock guitar. The video (which I bailed out on half-way thru) had me wondering: how does she do anything with those nails? It would be more interesting if they showed her going about her day, getting dressed, etc. Maybe I shoulda watched the whole video...

K9 FUSION

A few years ago, I was picking up one of our dogs from the groomers, and spied a display of CDs credited to K9 Fusion. The back cover said, "10 1/2 year old mixbreed, Sven the Love Dog, plays each and every instrument on his debut album. The only exception is the drums, which are played by Sven's owner Steve Brooks. Every intense vocalization is produced by Sven, or one of his canine friends...face it, this Dog's the SHIH TZU! Enhanced CD contains a video of the making of K9 Fusion. See for yourself as Sven pounds the piano, claw-picks his guitar, and gnashes his teeth on bass strings with the ferocity of Hendrix himself." Of COURSE I bought one.

The "album" is actually only 13 minutes. The drums basically hold it down, with random plunking, plucking, and growling on top, giving it a canine free-jazz feel. Some sounds have obviously been sampled and looped to make it more "musical." My fave track "Dirty Dog Love" sports a sweet funky bass groove. Obviously it's been looped, but I find it hard to believe that a dog could come up with something like this even once. Hmmm...

Song titles include: "Sing Along With Bitch," "Snot: An Interlude," and "Star Spaniel Banner." I don't think the track "Pants" has anything to do with trousers - it's 7 seconds of a dog panting.

K9 Fusion - "Who Really Loves You"

Before They Were Rap Stars

Here's a second volume of Before They Were Stars, this time putting the spotlight on the first-ever (and sometimes highly-unlikely) recordings from future hip-hop stars: A pre-annoying Black-Eyed Peas! A pre-rap Beastie Boys sounding like The Germs! Ice Cube sounding like The Beastie Boys! Chuck D sounding like Kurtis Blow! RZA and GZA from Wu Tang sounding like Jazzy Jeff & The Fresh Prince!



Before They Were Rap Stars



1 Beastie Boys - Beastie Boys [1982]

2 Ice-T - The Coldest Rap [1982]

3 Spectrum City [aka Public Enemy] - Check Out The Radio [1984]

4 World Class Wreckin' Crew [w/Dr Dre] - Surgery [1985]

5 The C.I.A. [w/Ice Cube] - My Posse [1987]

6 Onyx - Ah And We Do It Like This [1990]

7 Prince Rakeem [aka RZA] - Ooh We Love You Rakeem [1991]

8 The Genius [aka GZA] - Those Were the Days [1991]

9 A.T.B.A.N. Klann [aka BlackEyed Peas] - Puddles Of H2O [1992]

Before They Were Stars!!

A 14-year-old Björk! Billy Joel goes heavy metal ! Tori Amos goes big hair '80s! Debbie Harry of Blondie in a '60s hippie band that should have been called "Bland-ie"! Nick Lowe rips off The Who! Neil Young and that superfreak Rick James in the same band!



It's all strange-but-true, some of it awful, some surprisingly great. Hey, you gotta start somewhere...



Before They Were Stars (A MusicForManiacs Collection)



01 Tony Sheridan [w/"The Beat Brothers": John Lennon, George Harrison, Paul McCartney] - Sweet Georgia Brown [1961]

02 Rory Storm & The Hurricanes [w/Ringo Starr] - America [1963]

03 Arthur Lee and the LAGs [pre-Love] - The Ninth Wave [1963]

04 The Primitives [Lou Reed] - The Ostrich [1964]

05 The Wailers [w/Bob Marley, Peter Tosh] - simmer down [1965]

06 Bluesology [w/Elton John] - Come Back Baby [1965]

07 Shotgun Express [w/Rod Stewart-Mick Fleetwood] - I could feel the whole world turn round [1966]

08 The Mynah Byrds [w/Neil Young, Rick James] - Go On And Cry [1966]

09 The Spiders [Alice Cooper] - Don't Blow Your Mind [1966]

10 John's Children [w/Marc Bolan] - Desdemona [1967]

11 Wind In The Willows [w/Debbie Harry] - Djini Judy [1968]

12 Flaming Youth [w/Phil Collins] - Changes [1969]

13 Attila [w/Billy Joel] - Rollin' Home [1970]

14 Fraternity [w/Bon Scott] - Jupiter's Landscape [1971]

15 Brinsley Schwarz [w/Nick Lowe] - (What's So Funny 'Bout) Peace Love & Understanding [1974]

16 Kilburn & the High Roads [w/Ian Dury & some Blockheads] - Rough Kids [1974]

17 Hawkwind [w/Lemmy Kilmester] - Motorhead [1975]

18 The 101ers [w/Joe Strummer] - Letsagetabitarockin' [1975]

19 Björk - Alta Mira [1977]

20 The Nipple Erectors [w/Shane MacGowan] - So Pissed Off [1978]

21 The Coachmen [w/Thurston Moore] - Thurston's Song [1979]

22 Boys Next Door [Nick Cave & the Birthday Party] - Dive Position [1979]

23 Bruce Woolley And The Camera Club [w/Thomas Dolby, The Buggles] - Video Killed The Radio Star [1979]

24 Material [w/Whitney Houston] - Memories [1982]

25 Y Kant Tori Read [w/Tori Amos] - The Big Picture [1988]

THE VILLAGE PEOPLE OF THE PHILIPPINES

Sometimes even I wonder why I so obsessively write this blog, week in and week out, year in and year out. I'll tell ya why: it's because of albums like this. The universe (or at least the recorded music of planet Earth section of it) continues to astound and delight me, and I just have to spread the word.

Yes Virginia, there really was a 1979 album by a group of Philippino men singing and acting like the Village People. Sung mostly in Tagalog, it features sumptuous full-on orchestrated disco music, a buncha guys in various uniforms singing in unison, campy humor, and non-stop party-time energy. The first song at six minutes long had me a bit fatigued and I was wondering if I should bother with the rest of it, but I did and I'm glad. The fact that a record this ridiculous even exists makes the world a happier place.

Hagibis "Katawan"

The song "Legs" seems to feature vocals from Donald Duck. And dig that poppin' bass on "Nanggigigil."

VINYL-PALOOZA #9: The Wisdom of Solomon

In 1989, Solomon Solo, a native of Ghana, Africa now living in Los Angeles, spent what must have been a big chunk of change to hire a large crew of slick session musicians for his vanity album "The Wisdom of Solomon." He did not, however, hire any singers. And that's what lifts this album from competent-but-uninteresting private press release to outsider gold. All the songs are Solo's originals, a blend of American-style r'n'b with some African influences, and if anyone else sang 'em, even with Solo's idiosyncratic lyrics, they still probably would have been fairly ordinary.

The opening track is harmless enough, but then we get the songs that feature Solo's high, thin-to-screechy and

frequently off-pitch singing that is nevertheless full of sincerity and passion - he means these songs. And some of the songwriting actually is catchy - the title song has a pretty interesting West African feel to it, and I get "White Doves of Seville" (my favorite track) stuck in my head for days, even if Solos' voice causes me to occasionally wince.

The Wisdom of Solomon

And I like his quote on the back cover: "To understand proverbs and parables is to have wisdom and understanding." So...to have understanding is to have understanding..?

VINYL-PALOOZA #1: Space Age Lounge Pop A-go-go!!

It's Vinyl Month here at M4M. Yep, in an attempt to pick up the slack after technical difficulties have kept me from posting much here lately, I'm gonna go thru my 12 inch black round thingies and spend the month featuring some weird old records of drool-worthy obscurity, lovingly hand-ripped from crusty old vinyl on to my new computer (Umm...tell me if the new recording software sounds ok, ok?) Record Store Day is coming up, after all.

We post all kinds of music here, but one thing we can all agree on is the grooviness of '60s Space Age/lounge/ pop. Albums of this sort have been some of the most downloaded 'round these parts, and this one has it all: futuristic Perrey/Kingsley-like keyboards, discotheque dance energy, Roger Roger-esque wackiness, lounge jazz, Latin rhythms, and sample-able funk grooves. It was released by the British library label Studio 1, who had ties to a German company, and I do notice some rather Teutonic-looking names in the writing credits. Otherwise, there's nothing else I've been able to find out about these most talented chaps.

The George King/Joe Corney Organ Sounds

Dr. Sarcofiguy

Dr. Sarcofiguy says he is "...part of a group of wonderfully bizarre people who perform as horror hosts. I have a show in Northern Virginia called Spooky Movie Television. I’ve been performing as the character Dr. Sarcofiguy (The first and only African-American Horror Host!) since 1995."

It's good to know that the regional tv horror host is one American institution that has not died out. Make that the singing regional tv horror host: like his predecessors John Zacherly, Tarantula Girl (aka Tarantula Ghoul) and Elvira, Dr. Sarcofiguy has a musical side. Check his debut album Demo(ns) The Many Moods of Dr. Sarcofiguy. It's pretty groovy r'n'b, recalling the likes of Stevie Wonder or Barry White. If Barry White sang about vampires, that is. Sarcofiguy isn't the unhinged singer that Screamin' Jay Hawkins was (he croons in a smooth baritone) but he's the closest thing to it today. The absolutely brilliant song "My Girlfriend is On Fire" is even in that lurching waltz tempo Hawkins favored for such songs as "I Put A Spell On You."

I'm in the process of switching over to a new computer, so I don't have a way to host mp3s right now (tho I should be able to resume putting albums up on Mediafire shortly). I wanted to post the song "My Girlfriend is On Fire," but since that ain't happenin', Dr. Sarcofiguy has personally posted - just for us! - a streaming version of it

HERE

along with another bizarre beauty, "Nosferatu." Oh, and Elvira's back! After 19 years. Don't know if "Movie Macabre" is available anywhere outside of Los Angeles right now, but it's worth a trip here to check it out - it's been spook-tacular so far.

FORBIDDEN 45s!! (windbag edition)

Last year, Otis Fodder asked me to put together a guest-dj mix for his late, lamented radio show Friendly Persuasion. I decided to go thru my boxes of (mostly) old 7 inch records and put together a thing called FORBIDDEN 45s!! And since Our Man in Salt Lake City, windbag (who has shared so much awesomeness with us before) sent us a mind-boggling assortment of 7" platters, I'm calling this:

FORBIDDEN 45s!! (windbag edition)

So much here to warm the heart of any Maniac: song-poems, disco atrocities, singing children, singing animals, exercise records, rap novelties, hillbillies, more song poems, angry Chipmunks, Jane Fonda talking dirty, and an enchanted one-man polka puppet-show orchestra.
1. Bobbi Blake - Rock Rock Beat (Ms. Blake was one of the most-recorded singers of the MSR song-poem factory; this "rocker" boasts such money-well-spent lines as "you're nobody's patsy/so hop in a taxi")
2. Luigi's World's Largest One Man Band - Anaconda Polka (major, major discovery here, folks - the only thing I can find about this guy is from this book about the bars of Montana; read that link and be amazed; anyone else got anything on this guy?)
3. Susan Carroll Presents - Waistline and Tummy Exercises (from an ep called "Milady, Your Figure!")
4. Dick Kent - Smiling Farmer-The President (this bewildering ode to Jimmy Carter is one of the best song-poems EVER; to quote Rudy Ray Moore, "I ain't lyin'!")
5. The Hartz Mountain Master Radio Canaries - Pizzicato Polka (real live birdies tweating along with peppy organ and xylophone)
6. Major Bill Smith with Zane and Hogan - Freddy The Disco Frog (minimal-synth disco novelty: Suicide meets Rick Dees?! Oh, and Major Bill Smith was a successful record producer in the early '60s who later claimed that Elvis was alive and he had a recent taped conversation to prove it)
7. Ira Cook - What Is A Girl? (this 1958 side spends more time complaining about little girls than speaking their praises)
8. Klute - Special Exploitation Lobby Record featuring Jane Fonda Dialogue
9. The Hartz Mountain Master Radio Canaries - Humoresque
10. Bill Nettles and His Dixie Blue Boys - God Bless My Darling He's Somewhere (In Viet Nam) (I'm assuming that this craggy-voiced country singer is calling his SON "darling"...uh, right?)
11. Susan Carroll Presents - Thigh and Can-Can Exercise
12. Dick Kent - Cozy Doe (another most-unrockin' rock-n-roll song-poem: "Come on jive, get alive/'cause the clock is at five")
13. Luigi's World's Largest One Man Band - Billings Polka
14. Fred Carson - This Is Not The Time To Cry (This song-poem's author worries about crime, and wants guys to act like real men. Or something like that.)
15. The Hartz Mountain Master Radio Canaries - Mexican Dance
16. The Curbstones - Scrumpdillyishus Land
17. Dick Kent - She Thumbed A Ride
18. The Chipmunks - I Ain't No Dang Cartoon (the b-side to their version of "Achy-Breaky Heart" that was the hidden "bonus" track on a previous windbag comp "Songs of the Sewer;" Alvin sounds rather cranky and defensive here)
19. Ira Cook - What Is A Boy
20. The Hartz Mountain Master Radio Canaries - Beautiful Blue Danube
21. Gene Marshall - Not Owned (Hey, it's Gene Marshall! The guys who sang all those Richard Nixon song-poems! This isn't one of 'em.)
22. Susan Carroll Presents - Duck Walk and Leg Exercise
23. Fat Boys w/Chubby Checker - The Twist (Yo Twist) (This hip-hop novelty actually made it to #16 on the US charts)
24. Zane and Hogan - Studio 54 (This disco instrumental, the b-side to "Freddy The Disco Frog," is a complete spazz-attack.)
25. Bobbi Blake - Who Played House With You? (weird sci-fi keyboard sounds on this song-poem)
26. Bill Nettles and His Dixie Blue Boys - Got A Lot Of Lovin' To Do (this almost-rockbilly toe-tappin' flip of "God Bless My Darling" is impressively energetic considering that he died shortly after recording it.)
27. The Hartz Mountain Master Radio Canaries - An Artists Life
28. Harry Brooks - False Words and False Kisses (another song-poem)

Needless to say, another great big thankyoooo to windy.

ROCKIN' DISCO SANTA CLAUS

Our busy elf helper windbag sent a us batch of singles, including a Christmas disco one, which inspired me to root thru my own disco/old school archives to pull out my fave 12" and vinyl yuletide artifacts. Totally kitschy, funky and, tho sometimes awful, always awfully fun.

01 Wayne Newton - Jingle Bell Hustle
02 Santa's Disco Band - Xmas Medley Disco
03 Charo - Mamacita (Donde Esta Santa Claus)
04 Walter Murphy Orch - Disco Bells
05 Irwin The Disco Duck - Disco Duck II
06 The Sisterhood - The Rocking Disco Santa Claus [the one track I did get off a cd, the crucial Song-Poem Christmas album]
07 Walter Murphy Orch - Deck The Halls
08 Kurtis Blow - Christmas Rappin' [from 1979! pre-"Rapper's Delight"?]
09 Santa's Disco Band - Santa Claus is Coming To Town Disco
10 The Treacherous Three - Xmas Rap (Un-Censored)

ROCKIN' DISCO SANTA CLAUS

THE RENT IS TOO DAMN HIGH

Jimmy McMillan, representative (and possibly only member) of The Rent Is Too Damn High Party, is running for governor of New York. He'd get my vote. He's got a lot going for him:

- his super-fly facial hair.
- the fact that he once walked all the way from Brooklyn to Buffalo.
- his prodigious use of clip art.
- his funky synth-and-drum-machine tunes. Every song is about how the rent is too damn high. ("You Never Cared" has a particularly illin' groove.)

Jimmy McMillan - The Rent Is Too Damn High (10 songs)

The election is this Nov. 2. Don't let me down, New Yorkers!